24 November 2011

theLongLine online



theLongLine. theViewergallery. 2011-2013
15 minutes

theLongLine is also on YouTube: youtube theViewergallery theLongLine
(Sadly, each time I update theLongLine on YouTube, the previous link is replaced)

I have animated theLongLine and add each batch when there is another event.
Many more to follow in time........

Music to accompany theLongLine: Left Bank Two, by Wayne Hill, played by the Noveltones, 1963, otherwise known to generations of British children as the Gallery theme to the TV programmes "Vision On" and "Smart."

I have currently not attached the music so as not to infringe copyright, but here is a legitimate link:

bbc.co.uk left bank two


theLongLine


The Polyorama is an eighteenth century idea, a never-ending, ever-changing continuous landscape, made up of multiple drawings.  As long as the horizon lines match up, the landscape can be rearranged endlessly. It’s a panoramic view of an imagined world, where ancient ruins can sit next to space ships, dreamy scenes or infested waters.

theLongLine invites participants to create a continuous landscape, matching three elements – Sky, Land and Sea. Whose drawing will yours sit next to – a famous artist, a child who will grow up to be a famous artist, someone from the other side of the world, a visionary, a scribbler?

theLongLine has ambitions to become a very Long Line. Started in 2011, when the world record for the longest drawing in the world stands at 9,154m (India, 2009), theLongLine will take its time, appear and reappear, tour and pop up occasionally, all the while adding to its length, its store of ideas and contributions. It all starts with one line. Where will it travel, where will your part of theLongLine be shown. How long will it all keep going?

Who is the artist of theLongLine – is it the artist who thought up the idea, the unnamed person who invented the form, all those who actually do the drawing, or whoever arranges how they are shown? Just 10 different sections of theLongLine could make 3,628,800 different landscape variations – I read this, but I still can’t believe it! Out of all those multiples of choices, how does one piece end up next to another – and will they ever meet again?

6 October 2011

theViewergallery report 1



  
Despite unexpectedly and unseasonably turning into one of the hottest days of the year, nearly 100 people attended the launch event of theViewergallery on Saturday 1st October 2011, held in The Original Gallery, London N8.

Seven of the ten exhibiting Moving Image artists attended, some of whom helped enormously in setting up and taking down.


 Three artists talking

theViewergallery is all about being resourceful and adaptable. We made a makeshift screening room using available partitions. I had brought my projector and also backup technology in the shape of a TV, and showed the screening on both simultaneously, starting at different times. I love multiple screens and hope to show more in this way. The eye moves from one to the other, makes choices and connections.








Transmission 1 Drawing





Heather Barnett


                                                                                                                                                                       Rachel Evans


                                                       
Parul Gupta

  Parul Gupta. Hairfall. Digital video still. 2011


Paul Harrison

     Paul Harrison. Away From the Unknown. Animation still. 2011


Jacky Hutson

Spread Beauty. Jacky Hutson. Animation still. 2010


Colin Legge

    Unit. Colin Legge. Digital video still. 2011

                                                                                                                                                                        Eleanor MacFarlane

 Eleanor MacFarlane. Personification. Animation still. 2010


 Eleanor MacFarlane. Drawing. Digital video still. 2006


Duncan McKellar

 Duncan McKellar. 48 Hours in Moscow. Animation still. 2010 


                                                                                                                                                                                       Michael Szpakowski

      

Tom Walker



theLongLine has made a magnificent start in its quest to grow. This was really its trial run, and everything went smoothly, apart from next time I will have somewhere for all the pencil sharpenings to go. Even the youngest children got what they had to do. I was amazed by how much time people spent on drawing their part of this project, and then enjoying adding their piece to the line. My next big task is to scan each piece and create a moving Image from them, which I will show and add to every time I repeat this project. I have a system to record names and contributions, but also have several anonymous pieces.

The Moving Image will be on theViewergallery virtual space - this site.













We had a couple of extra drawing activities – one set up by a helper for the day, Anna Rootes  – a roll of paper taped to the floor, which started off with people tracing their feet and drawing their journey to the gallery. It was very popular and gathered some magnificent and anonymous contributions.















We also made a wall-based Post It Notes Portrait Gallery. I had collected a multitude of shapes, sizes and colours of post it notes. Again, there were some wonderful pieces. I have them all still, and will certainly in time make something with this magnificent resource – perhaps an animation.










We had a pop up shop selling theViewergallery handmade-corporate items – badges, magnets, bookmarks. I had produced a printed catalogue for the Transmission 1 screening, and had small framed stills to sell, and exhibiting artists brought other items. Again, this is a venture I will repeat, as I love making objects and devising multiples, and have concocted many devices and prototypes over the years. I am planning my next batches of art objects, and will also set up a facility to sell online.






The other piece of the day, Absolute Magnitude, I am not as yet adding to this report, as we MA students are keeping it secret from each other until we have all shown it. However, I’ll just note that one lady pulled up a chair and spend at least 40 minutes in front of it, just looking, looking, looking.

Overall, theViewergallery made a satisfying debut, creating connections between artists, furthering the cause of Moving Image, launching ongoing projects and enterprises, and celebrating Drawing in many forms. It’s a wonder how many signs, stands, easels, blackboards and so on I already had around my home, and how much now belongs to theViewergallery, waiting for its next occasion.



Many thanks to
Magnus Hannah Jon Liam Anna Colin Duncan Paul Heather Terry



 Eleanor MacFarlane 2011





















6th October 2011

theViewergallery


theViewergallery

is

handmade

digital

resourceful

interested

curious

inventive

thoughtful


Transmission 1 Drawing Moving Image

theProgressiveImage


The definition of Moving Image is still forming – something to do with Video Art, Cinema and Photography, yet not exactly any of these, as it may or may not deal with issues of Narrative, Documentation or Performance.

Moving in and out of these frameworks, Moving Image utilises new and old techniques of Animation and Digital Technologies, and uses the camera as a unique medium of expression.

Artists whose practice is in Moving Image work in an age rich in imagery and sophisticated in use of technology. They borrow, as artists do, from all sorts of traditions, to capture and show through the lens fundamental ideas of art, life and meaning.

This first screening from theProgressiveImage, Transmission1, shows Moving Image and Animation from ten contemporary artists using Drawing in a variety of forms – animation, digital video, studio-based practice. Using pencil, computing, documentation and hair, Drawing is explored and redefined through Moving Image.

theProgressiveImage’s mission is to seek out and create a context around Moving Image works, and to explore definitions of Moving Image – a photograph existing in time rather than on paper, a film as if cinema had not been invented, a digital poem, video painting, a long moment.....








theProgressiveImage...Transmission1...Drawing

Heather Barnett
Rachel Evans
Parul Gupta
Paul Harrison
Jacky Hutson
Colin Legge
Eleanor MacFarlane
Duncan McKellar
Michael Szpakowski
Tom Walker


26 September 2011

Transmission 1 Works and Artists


Colin Legge

Colin Legge is currently based in London, and works predominantly with video and text, although his work is sometimes performative, drawn, or sculptural.
One side of his work is much to do with story-telling and narrative. The other side is an exploration of the spaces we inhabit, in both a physical and psychological sense. In both instances he is interested in ways of presenting the every day.




Unit

Unit is both the bare bones of a story, open to interpretation, and a very particular one-man-act.

Digital video. 4 minutes. 2011



Unit. Colin Legge. Digital video still. 2011


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Duncan McKellar

My work is based in drawing and spans painting, sculpture and film.
The scale of my work ranges from single line drawings capturing a moment to paintings and sculptures which can take years to complete, acting as physical and mental challenges. These large pieces form a constant from which other work can evolve. I find great satisfaction in both extremes, from the immediate to the obsessive.




48 Hours in Moscow.

A Pantoscope was a pre cinema entertainment device enabling a theatre audience to watch a continuous panoramic painting scroll by on tremendous rollers. For hours audiences would watch as scenes unfolded before their eyes. I created a portable version of this public entertainment device that uses a ten-meter scroll of cartridge paper measuring 28cm in diameter. Like handmade videotape, the paper scroll is wound from spool to spool and a drawing is created on each visible section as it passes by. This device enables a continuous image to be produced. When the drawing is complete, watercolour is added from memory and documentation photographs. 
The finished scroll is then recorded rolling passed a digital video camera. The animation can then be viewed as if riding the journey, continuing the tradition of an informative, entertaining public travelling artwork.


Animation.  4 minutes. 2010


Duncan McKellar. 48 Hours in Moscow. Animation still. 2010



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Heather Barnett

Heather Barnett is a visual artist inspired by biological design and imaging technologies. Current projects include a creative collaboration with slime mould (an intelligent organism); running micro-designs, the microscopical design brand; and developing art/science projects at The University of Westminster where she is Senior Lecturer in Photography. Heather is currently working on a public art commission for Anglia Ruskin University in Chelmsford.




Physarium Experiment No 013. Spelling Test.

Animated time lapse experiment with the intelligent organism Physarum Polycephalum. 
Does it know its name?
For a few years now I have been attempting to collaborate with the slime mould, Physarum polycephalum, observing and manipulating its beautiful growth patterns and testing its intelligence and problem solving skills.

Animation. 2 minutes 30. 2008.



Physarium Experiment No 013. Heather Barnett. Animation still. 2008


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Eleanor MacFarlane


Founder of theViewergallery and theProgressiveImage, I am an artist interested in Moving Image and art contraptions, scientific and optical ideas, and their meaningful implications.



Personification

Perhaps we are as shadows, or clusters of molecules comprising form, apparently moving and having something to do with each other. Streaming humanity, shades of substance, in effect more alike than we are different.

Animation.  8 minutes. 2010


Eleanor MacFarlane. Personification. Animation still. 2010


Drawing

Drawing from the pencil’s eye view. The act and motion of drawing smudges the edges of feel, intention and mark making. The pencil seems to know what it is doing once it is set free.

Digital video. 7 minutes. 2006


Eleanor MacFarlane. Drawing. Digital video still. 2006




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Jacky Hutson


As a painter, her work could be loosely described as abstract, with a strong use of colour and depth of layering, by comfortably working on a larger scale, naturally allowing for scope and movement within the image. Creating strong, flamboyant, sometimes stylized images with a 3-dimensional feel - her love of graffiti is reflected in her work. The subject matter can be quite random and very often changeable throughout the process.




Spread Beauty 1

"The necessity of art and beauty everywhere - not just the gallery space - in the workplace, the home, the everyday - to transform the space"

Animation. 9 minutes. 2010




Spread Beauty. Jacky Hutson. Animation still. 2010


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Michael Szpakowski


Michael Szpakowski is an artist, composer & writer. His music has been performed all over the UK, in Russia & the USA. He has exhibited work in galleries in the UK, mainland Europe & the USA. His short films have been shown throughout the world. He is composer & video artist for Tell Tale Hearts Theatre Company & a joint editor of the online video resource DVblog.




Six Hours in Scunthorpe 

This stop motion animation was created as part of the 20-21 Visual Arts Centre's 10th birthday Celebrations in Church Square on 23 July 2011. Made with the collaboration of lots of Scunthorpe folk in a six hour period, it also features performers from the day.

Digital animation. 10 minutes. 2011





Michael Szpakowski. Six Hours in Scunthorpe. Digital animation still. 2011





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Paul Harrison

My work is involved in ideas surrounding transformation specifically how our perception or opinion of a subject's reality is changed through an animated or creative action. I view what I make as a socially engaged portrayal, one that is involved in formulating and asking new questions about the human form and condition. Including examining the relationship or contrast between what is considered real or imaginary within an art context.




Away From the Unknown.

Away from the Unknown is a digital stop motion animation that explores a notion of Hyper reality. So this piece is looking at an opinion that i have in which currency is a form of Hyperreality.

This animation was basically a reaction to my anxieties surrounding money and how it controls lives. Furthermore this work contains issues involving materiality and the immateriality of an image or depiction. In the end i hope this work can help people gain a greater insight into our capitalist way of life.

Animation.  7 minutes 30. 2011



Paul Harrison. Away From the Unknown. Animation still. 2011


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Rachel Evans

Rachel is a recent graduate from Bath School of Art and Design whose practice is centred around the physical act of drawing and mark making.




Arm Span Daily Drawing

The Work is a five day video documentation of daily drawings mapping out the artist’s marks from the body’s actions and dimensions.

Digital video. 4 minutes. 2011


Arm Span Daily Drawing. Rachel Evans.  Digital video still. 2011


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Spin

Spin shed fall over

Digital video. 30 seconds. 2011




Tom Walker. Spin. Digital video still. 2011




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Parul Gupta



Lines have always been the medium of my expression and exploring it further is a constant research. The greatest source of inspiration in my practice comes from being receptive towards things which otherwise frustrate or sadden me, and how my aesthetics responds to it. Things which could go unnoticed, initially becomes the inspiration and then the part of the work – whether using broken hair as a medium to define line or using the scratches - an empty pen leaves on the paper. Through this I envisage drawing as a spatial exploration poised somewhere between installation and abstract line drawing.




Hairfall

My own hair has been a very integral medium in my drawings and for that I ritualistically collect my broken hair everyday from places like my bed, shower, comb, clothes and from every place I see them. There is a permanent place in my room where I have kept a white paper to collect my hair every day. The ritual starts in the morning each day when the paper is blank and till night, with every addition of hair on the paper, hair forms a natural organic drawing. In this video I have shot the process of creating the drawing as each hair strand fall on the paper.


Digital video. 5 minutes 30. 2011




Parul Gupta. Hairfall. Digital video still. 2011